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My reading of late has been short and fitful, somewhat like my sleeping pattern, ever since my dear husband passed away. I’m still in 2 book clubs, though, and have wanted to keep up with the reading for those.

When I started reading The Divorce Papers: A Novel by Susan Rieger, I wasn’t sure I wanted to continue. Initially, it brought back too many unpleasant memories of my divorce in 1979-80. But I kept reading and soon was engrossed in the unusual approach. It’s about Sophie Diehl, a young criminal attorney who gets roped into working on this very messy divorce taken on by her law firm. The entire book is written via letters, documents and email messages between the pertinent parties in this divorce (the couple divorcing, their daughter, both attorneys, her boss, and one of Sophie’s best friends). It’s a clever book. As I write this, I’m about 80% through, so I don’t even know how it ends, but I’ve enjoyed the read so far.

Recently finished Orphan Train: A Novel by Christina Baker Kline. It’s about a little known period of time (1854-1929) when orphaned children were loaded onto trains on the East Coast and sent to the Midwest to be adopted by families who needed or wanted children. Some were adopted by people who were unfit; some of the children were lucky and found good, loving homes. This is the story of one of the girls, Vivian Daly and her journey. Woven into the story is a much later period of Vivian’s life when many facts of  her earlier experiences are revealed. A very, very interesting book; there’s a love story in it too.

Since I’m a fan of Ann Patchett, it’s no surprise that I wanted to buy her most recent book, This Is the Story of a Happy Marriage. It’s a book of short stories, but not fictional ones – it’s a compilation of essays and articles she’s written over the course of her writing life. My favorite is the one in which she describes in intimate detail how she goes about writing a book. About the process, her thinking, and the the hard, hard work it entails. I loved every one of the stories. She is quite self-deprecating about the book – it likely wasn’t her idea to put it together as she never thought any of her essays were worth much. She wrote them to make a living. Each of the chapters (essays) has been updated and/or addended to, so she did have to put some spit and polish on all of them before sending this group to the publisher. She’s written essays for a very esoteric group of publications; some I’d never heard of. But I enjoyed the book from beginning to end.

Also just finished reading The Invention of Wings: A Novel by Sue Monk Kidd. What a story. Sometimes it’s a good thing to read the author’s notes before you read a book. I guess I’m glad I didn’t (in this case the notes were at the end of the book) because it was then, afterwards, that I read that one of the characters in this novel is fictional; the other two (sisters) were real. There’s a bit about the Quaker religion in this book too, which was different. This is a slavery story and about the beginnings of the abolitionist movement. Interwoven between the 2 sisters who make waves about anti-slavery is the poignant story of one particular slave and her hard, hard life. It’s heartbreaking in many respects, not just because of the violence and abuse heaped upon her. The book is almost a page-turner. Very glad I read it.

Also read The Four Seasons: A Novel of Vivaldi’s Venice by Laurel Corona. It was recommended to me by a friend, and I enjoyed it a lot. It has a rather unusual story line, all envisioned by the author from reading a tiny line of elaborate script from a journal at what remains of a foundling hospital (run mostly like a convent by Catholic nuns) in Venice. It said something like Antonio Vivaldi purchased “a bow for Maddalena Rossa.” That started the author’s novel journey. Two sisters are raised at the Ospedale della Pieta. One becomes famous for her violin skills; the other for her voice. One is married “out” and the other stays cloistered her entire life. Then you throw Vivaldi himself into the mix, as he really was paid by the Ospedale for his compositions and for teaching some of the residents to play instruments. It’s an enlightening story about Vivaldi himself (a priest, with a lot of questions about his piety). It takes place in the early 1700s. Fascinating story and I want to listen again in total to Vivaldi’s very famous work, The Four Seasons, as a result of reading this. I’ve heard it many times before, but it will have new meaning now.

IN THE POWDER ROOM: Our guest half-bath has a little tiny table with a pile of books that I change every now and then. They’re books that might pique someone’s interest even if for a very short read. The Art of Travel, a collection of essays about traveling (it’s not a how-to), gathering a variety of stories of some historic authors and where and why they traveled; The Greatest Stories Never Told; and Sara Midda’s South of France; also Forgotten Bookmarks: A Bookseller’s Collection of Odd Things Lost Between the Pages (just the cutest book – with a miscellany of things – letters, grocery lists, notes, reminders, confessions the author discovered hidden inside the books he purchased for his used bookstore); and The Trouble with Poetry (Billy Collins).

Tasting Spoons

My blog's namesake - small engraved sterling silver tea spoons that I use to taste as I'm cooking.

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Posted in Pork, on May 22nd, 2007.


Deciding what to serve guests? For me, making decisions about a company meal usually starts out with the decision about the entrée. So, is it beef, fish, chicken, pork or lamb? I’ll flip through my big personal cookbook (three large 3-ring binders containing all 500+ of my recipes, divided up by categories), and start making a list of the options. I may pull out those recipes (each is in a plastic sleeve) before I decide. Here’s what I do:

• make a list of a couple of the meat dishes that sound good to me. Then I’ll think about what should go with it;

• vegetables (depends on the season, maybe two vegies and no carb), add to the list;

• another side/carb (does this dinner need a carb, would my guests prefer not to have a carb, is it too many calories already? think about the color on the plate since we like to have some variety); add to the list;

• a salad (green type? or another? special additions like pecans or walnuts, a new dressing? an old favorite?), add to the list;

• dessert (look over the menu so far, think about my timetable, what I can manage with all the other dishes, does it need to be lower calorie? a splurge? chocolate or no?); add to the list;

• and lastly appetizers (do I need to make something homemade? can I make do with chips and salsa? if we’re not having carbs with the dinner, maybe hummus would be fine with crackers and vegies?).

So, for this particular dinner I wanted a pork roast using a recipe I’ve had for some years, after taking a class with Tarla Fallgatter, a local cooking instructor. But, I wanted a simple, but JUICY pork roast. The last few times I’ve baked a pork roast I’ve been disappointed and had concluded it was the pork, not the cook (moi, how could it be moi?). I was convinced it’s this new, leaner pork, the other white meat, that was just too lean, with not enough fat in the grain to provide any juiciness. So I consulted my local independent butcher. He told me that the pork I bought at Costco was probably the same pork I bought from him, or at least they were from the same or similar pork producers in Iowa as Costco uses (okay, no help there.) But, he did tell me that if I wanted a bit more marbling of fat, I should buy a roast from the rib end (more toward the country ribs part). He just happened to have one (oh good). BUT, he told me, the most important thing I should remember was to not overcook the meat (uh oh, maybe I am the culprit after all?). I asked him (always good to get a second opinion) at what temperature I should remove the pork. He didn’t know (hmm, not good, a butcher doesn’t know this?). Okay, back to my recipe, which said 145°.

So, once I’d decided on having pork, chosen the recipe (below) I rounded out the meal with the zucchini gratin (my posting on Saturday), a nice green salad, chips and salsa, and I made some strawberry mascarpone ice cream from over at Culinary Concoctions by Peabody. It was a very nice meal with a couple of bottles of red wine. We were all very mellow by 10:00 pm.

As for the pork, I was careful to use my meat thermometer. But, I found out
that the part of the sensor that reveals the oven temperature isn’t working, so think I’ll have to buy a new one – I dropped it a month or so ago and bent the connector that goes into the little digital box – most likely that’s the problem. I’m glad it wasn’t the interior meat temp that wasn’t working! I removed the roast at exactly 145°, let it sit for about 10 minutes while I prepped the rest of the meal. The pork was perfectly cooked. And JUICY! I have no qualms about spending the money to buy a new meat thermometer. It convinced me once again what an invaluable instrument it is in the kitchen!

The apricot compote is a bit different than some. The addition of a whole vanilla bean – well not the bean itself, but the contents – makes it unusual. Whole vanilla beans have such a fragrance – a perfume, if you will – that could easily overpower. You carefully slit the bean open, to butterfly it (it’s a little like microsurgery – attacking this tiny, narrow little thing – do use a small knife with a very thin and sharp point) and scrape the miniature grains out of the bean. You’ll get about 1/4 to 1/2 teaspoon total. And you can see the grains in the finished sauce – you may want to tell your guests so they don’t think it’s sand!

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Roast Pork Loin with Apricot Compote

Recipe By: A cooking class with Tarla Fallgatter
Servings:  10

NOTES: It may be preferable to use two pork tenderloins for this recipe. If so, bake them for about 20 minutes total. You can, if necessary, use vanilla extract in place of the vanilla bean, but the flavor will be significantly reduced. It really is worth the time and trouble to buy the whole bean.

COMPOTE:
1 1/2 cups white wine — sweeter variety, if available
1 1/2 cups apple cider
2 whole cinnamon sticks
1 whole vanilla bean — split & scraped
2 tablespoons sugar
12 ounces dried apricot halves — chopped
ROAST PORK:
4 1/2 pounds pork loin — chine bone removed
1 1/2 teaspoons salt
1 1/2 teaspoons ground pepper
1 1/2 tablespoons oil

1. Compote: In a medium pan combine wine, cider, cinnamon, sugar and vanilla bean scrapings. Bring to a boil, reduce heat and add apricots. Simmer for 20 minutes or until a syrup consistency is achieved. If the syrup has not reduced sufficiently, remove apricots and boil the syrup until it reaches the desired consistency. Remove from heat and set aside or keep warm to serve. Can be made one day ahead.
2. Pork: Preheat oven to 350°. Season meat with salt & pepper. In a large pan heat oil over medium high heat and brown pork on all sides. Place on a rack in a roasting pan and bake for about 30 minutes, turn meat over, then bake an additional 30 minutes, or until an instant-read thermometer inserted in the center registers 145°. Remove pork from oven, cover loosely with foil for 10-15 minutes, then cut into portions, and spoon hot compote over meat.
Start to Finish Time: 1 hour
Per Serving: 332 Calories; 9g Fat (26.6% calories from fat); 27g Protein; 30g Carbohydrate; 5g Dietary Fiber; 64mg Cholesterol; 379mg Sodium.

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  1. Peabody

    said on May 21st, 2007:

    Yum, I love the use of the apricot compote.

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