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Here are the tastingspoons players. I’m in the middle (Carolyn). Daughter Sara on the right, and daughter-in-law Karen on the left. I started the blog in 2007, as a way to share recipes with my family. Now in 2021, I’ll still participate, but the two daughters are going to do more posting from here on out – well, I hope that’s not wishful thinking. They both lead very busy lives, so we’ll see.

We participate in an amazon program that rewards a little tiny $ something (pennies, really) if you purchase any books recommended (below), or buy products occasionally mentioned on the blog with an amazon link. 

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BOOK READING (from Carolyn):

I wrote up a post about this book: Most Spectacular Restaurant in the World: The Twin Towers, Windows on the World, and the Rebirth of New York by Tom Roston. Go read the full write-up if you’re interested. The book is a complete history of the famous restaurant on the 107th floor of one of the Twin Towers. It tells a detailed chronology of its inception, and all the various  parts that had to come together every day, three meals a day, plus some, to make a mammoth food machine run. I have no background in the restaurant biz, but found the story very interesting. Would make a great gift.

Also recently finished The Weight of Ink by Rachel Kadish. The book goes backwards and forwards in time, from the 1600s in London with the day-to-day lives of a group of Jews (who had to be very careful about how they worshiped) to current day as an old house is discovered to hold a treasure-trove of historical papers. The story is mostly about a young woman, educated, a Jew, who is the scribe (in secret) to an aging religious leader (in a time when women would have been verboten to hold such a position). And about her own curiosity about her religion and how she eventually begins writing letters (using a male pseudonym) to various Jewish leaders abroad, questioning their religious beliefs. The book is extraordinarily long – not that that kept me from turning a single page! – and complex with the cast of characters from the 1600s and the cast in today’s world of highly competitive experts analyzing the ancient papers. Altogether riveting book. Loved it from beginning to end.

I’m forever reading historical novels. The Lost Jewels: A Novel by Kirsty Manning is a mystery of sorts, going back in time in London in the time of aristocrats and their jewels (pearls, diamonds, gems of all kinds) sometimes made it into the hands of the digger or a maid. Then to current time as a young woman tries to ferret her family history and particularly about some old-old jewelry that they can’t quite figure out – how the grandmother came to have them. Fascinating tale.

Not for the faint of heart, Boat of Stone: A Novel by Maureen Earl tells the true tale of some misplaced Jews at the tale-end of WWII who ended up on Mauritius, held captive in a woe begotten prison. It’s about Jewish history, about relationships, and certainly a lot about the starvation and mistreatment (and many died there) of this boat load of people who never should have been sent there. So very sad, but it has bright and hopeful moments toward the end when many of them finally made it to Tel Aviv, their original destination.

Colleen Hoover has written quite a book, It Ends with Us: A Novel, with a love story being the central theme, but again, this book is not for everyone – it can be an awakening for any reader not acquainted with domestic violence and how such injury can emerge as innocent (sort of) but then become something else. There is graphic detail here (was it really necessary? not sure of the answer) so if you don’t like that sort of thing, you might want to pass on this – or else skip by those details when you read it. Women have been victims in so many ways for so many centuries, and it’s hard to read that it’s still a common thing in today’s society.

Barbara Delinsky writes current day fiction. Coast Road is really sweet story. Jack (ex-husband) is called away from his career to care for his two daughters when his ex (Rachel) has an accident and is in a coma. Over the course of weeks, he spends time with his daughters (he was an occasional dad). He also spends a lot of time at his ex’s bedside, getting to know her friends. Through them he learns what went wrong in their marriage. I don’t want to spoil the story. I liked it a lot.

Christina Baker Kline has written quite a story about Tasmania. You may, or may not, remember that my DH and I visited Tasmania about 10 years ago (loved it) and having read a lot about Botany Bay and the thousands of criminal exiles from Britain who were shipped there as slave labor in the 1800s. This book tells a different story. The Exiles: A Novel. This one mostly from a few women who were sentenced to Tasmania. There is plenty of cruelty on several fronts, but there is also kindness and salvation for some. Really good read.

Erin Bartels wrote quite a complex story in The Words between Us: A Novel. We go alongside a young girl as she goes to high school, trying (somewhat unsuccessfully) to be anonymous (because her mother and father are both in prison), taking on a fake name. She meets a guy and they share a bond of reading and some romance. Years go by and she’s now owner of a failing independent bookstore (and married, or separated) and suddenly begins receiving a used book (that she recognizes) every day from a different place in the country. A message for sure, but where will it lead? Yes, it’s a romance. Lots of introspection going on. Enjoyed it.

Marion Kummerow wrote an amazing WWII novel. Not Without My Sister. If you don’t like concentration camp stories, pass on this one, but it’s very riveting, much of it at Bergen-Belsen. Two sisters (17 and 4) are separated at the camp. The story switches back and forth between the two sisters’ situations, and yes, the horror of the camp(s), the starvation, the cruelty. But, even though I’m giving away the ending . . . they do get back together again. The story is all about the in between times. Excellent book.

Nicolas Barreau’s novel Love Letters from Montmartre: A Novel  is very poignant, very sweet book. Seems like I’ve read several books lately about grieving; this one has a charming ending, but as anyone who has gone through a grave loss of someone dear knows, you can’t predict day to day, week to week. “Snap out of it,” people say, thinking they’re helping. This book is about a young man, who is a young father also, loses his beloved wife. He’s barely functioning, trying to get through a day, taking care of his young son. And visiting the cemetery (the one in Montmartre, Paris). There are several peripheral characters (his son, a neighbor and best friend of his departed wife, a good fellow friend too, plus a young woman he befriends at the cemetery). Before his wife’s death she asks him to write 33 letters to her after she’s gone, and to put them in a special box hidden in the cemetery monument. And that begins the story.

Another very quirky book, that happens to contain a lot of historical truth is The Phone Booth at the Edge of the World: A Novel by Harry N. Abrams. Set in Japan just after the tsunami 10 years ago when 18,000 people died. At a private park miles away, some very special people installed a phone booth, with a phone (that didn’t work) at the edge of the park, and the survivors of the tsunami began wending their way there to “talk” to their deceased loved ones. Very poignant story.

As you’ve read here many times, I marvel at authors who come up with unusual premises for their books. This one Meet Me in Monaco: A Novel of Grace Kelly’s Royal Wedding. And yes, it IS somewhat about Grace Kelly’s wedding, but most of the novel is about a young woman perfume designer, Sophie, who accidentally rescues Grace Kelly from the relentless photographers who hound her every move.

No question, the most quirky book I’ve read of late, a recommendation from my friend Karen, West with Giraffes: A Novel by Lynda Rutledge. Back in the 1930s a small group of giraffes were brought across the Atlantic from Africa to New York, destined for the then-growing San Diego Zoo. The story is of their journey across the United States in the care of two oh-so-different people, both with a mission.

Also a kind of quirky book by Beth Miller, The Missing Letters of Mrs. Bright. Picture a middle-aged woman, slogging through life with a not-very-attentive husband, grown children, and one day she decides to leave. Completely. Packs up and leaves.

Katherine Center’s book, Things You Save in a Fire: A Novel is certainly vivid. There aren’t very many women firefighters out there in the world – this is about one.

Riveting story of post-WWII- Japan in Ana Johns novel, The Woman in the White Kimono: A Novel. About a young Japanese girl who falls in love with an American serviceman.

Also read Rishi Reddi’s novel, Passage West: A Novel with a very different take on the migration of Indians (East India) to the California agricultural lands east of San Diego during the 1920s and 30s.

Maybe not everyone’s cup of tea, but the Mary Morris book, A Very Private Diary: A Nurse in Wartime tells the true day to day life of a young Irish girl who becomes a nurse, in England, France and Belgium in the midst of WWII and immediately after the war.

Could hardly put down Krueger’s book, This Tender Land: A Novel. Tells the harrowing story of a young boy, Odie, (and his brother Albert) who became orphans back in the 30s. At first there is a boarding school, part of an Indian (Native American) agreement, though they are not Indian. They escape, and they are “on the run.”

Just finished Kristin Hannah’s latest book, The Four Winds: A Novel. What a story. One I’ve never read about, although I certainly have heard about the “dust bowl” years when there was a steady migration of down-and-out farmers from the Midwest, to California, for what they hoped to be the American Dream. It tells the story of one particular family, the Martinellis, the grandparents, their son, his wife, and their two children.

Brit Bennett has written quite a book, The Vanishing Half: A Novel. It’s a novel, yet I’m sure there are such real-life situations. Twin girls are born to a young black woman in the South. Into a town (that probably doesn’t exist) that prides itself on being light-skinned blacks.

What a book. The Only Woman in the Room: A Novel by Marie Benedict. A novelized biography of Hedy Lamarr, the famous actress.  Very much worth reading.

Also read The Secret of the Chateau: Gripping and heartbreaking historical fiction with a mystery at its heart by Kathleen McGurl. There are two stories here. The historical part is just prior to and up to the French Revolution, and the second in current day as a group of friends purchase a crumbling chateau. Very interesting. I love historical novels like this, and this one in particular does have quite a mystery involved, too.

Also finished reading Sue Monk Kidd’s recent book, The Book of Longings: A Novel. It is a book that might challenge some Christian readers, as it tells the tale of Jesus marrying a woman named Mary. I loved the book from the first word to the last one. The book is believable to me, even though the Bible never says one way or the other that Jesus ever married. It’s been presumed he never did. But maybe he did?

Jeanine Cummins has written an eye-opener, American Dirt. A must read. Oh my goodness. I will never, ever, ever look at Mexican (and further southern) migrants, particularly those who are victims of the vicious cartels, without sympathy. It tells the story of a woman and her young son, who were lucky enough to hide when the cartel murdered every member of her family – her husband, her mother, and many others. It’s about her journey and escape to America.

Also read JoJo Moyes’ book, The Giver of Stars. Oh gosh, what a GREAT book. Alice joins the Horseback Librarians in the rural south.

Frances Liardet has written a blockbuster tale, We Must Be Brave. I can’t recommend this book highly enough. Although the scene is WWII England, this book is not really about the war. It’s about the people at home, waiting it out, struggling with enough food, clothing and enough heat.

William Kent Krueger wrote Ordinary Grace. From amazon: a brilliantly moving account of a boy standing at the door of his young manhood, trying to understand a world that seems to be falling apart around him. It is an unforgettable novel about discovering the terrible price of wisdom and the enduring grace of God. It’s a coming of age story.

Follow the River: A Novel by James Alexander Thom. This one is also based on the history of a woman (married, pregnant) who was captured by the Shawnee, during the early settlement days east of the Ohio River, about 1755. And her eventual escape.

A Column of Fire: A Novel by Ken Follett. It takes place in the 1500s, in England, and has everything to do with the war between the Catholics and the Protestants, that raged throughout Europe during that time, culminating in the Spanish Inquisition.

My Name Is Resolute by Nancy Turner. She’s the author of another book of some renown, These is my Words: The Diary of Sarah Agnes Prine, 1881-1901 (P.S.). Resolute is what I’m discussing here. It’s fiction, but based some on a true story. Resolute, as a young girl from a privileged life on a plantation in Jamaica, was taken captive by slavers, eventually ended up in Colonial America.

The Shepherd’s Life: Modern Dispatches from an Ancient Landscape by James Rebanks. This is a memoir, so a true story, of a young man growing up in the Lake District of Northern England, who becomes a shepherd. Not just any-old shepherd – actually a well educated one. He knows how to weave a story.

 

Tasting Spoons

My blog's namesake - small, old and some very dented engraved silver plated tea spoons that belonged to my mother-in-law, and I use them to taste my food as I'm cooking.

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Prior to about 1999, I’d had no formal training in art. I’d always been interested in art, used to do crafts (like macrame and weaving, all handcrafts). Prior to retiring, I had three big goals for my new life: (1) to write a cookbook to hand down to my children (my blog is the result of that); (2) to learn to paint and draw; and (3) to start an investment club. I’ve realized all those goals, and continue to derive enjoyment from all of them.

First, I took a college-level drawing class (with homework, grades, etc.) for a year. Although it was difficult, I’m glad I did it. Then I began taking classes through my local Senior Center. We have some very good instructors who teach through the local community college (and at our senior centers), and have enjoyed the classes very much (oil, drawing, watercolor). Nearly all of these works below are projects from the classes I’ve taken. Many are not my original art. I painted or drew them, but they’re copies of somebody else’s work. Mostly they were projects assigned by my teachers to help us students improve our skills. To stretch our techniques. To open our horizons. None of my work is for sale – some of it I cannot sell because they’re copies of art by well-known and obscure artists; projects accomplished in class (as noted above) to further our skills. With nearly all the paintings I do not know the original artist, so forgive my lack of proper credit where it is due.

plums in weave 300 compression

Plums in Weave, watercolor, (an original).
This watercolor became the header for my first blog. It’s one of only two pieces of art I have of food. It was a class project – we were asked to bring any watercolors we’d completed but didn’t like. I had no difficulty doing that! The instructor told us to choose two and cut one in strips halfway up, the other into complete strips, then weave the one into the other. I chose two paintings that were similar in color and hue. It’s become a favorite since then. It’s not yet framed, so you can see the shadows of the paper strips.
alaskan sunset
Alaskan Sunset, oil 14 x 18
A class project, I chose a small photo I found in a mail order catalog of an Alaska sunset. They were showcasing clothing to wear in cold climates. The colors are a bit surreal, actually. I don’t think I’ve ever seen a sunset with such lavendery hues, but it made for a pretty painting.
archway
Archway, watercolor, 14 x 18
I think the project was architecture. I chose this from a photo I found in some magazine. The instructor liked it well enough she asked me to do a second one (this one above) with different shadowing in the arch. I’d made the first one too dark.
Brokenwindow
Broken window, watercolor, 12 x 14
A study in brickwork and glass. I believe we were learning how to paint glass. I chose to do several of the windows differently, but I like it anyway!
artistic graffiti
Artistic Graffiti, pen and ink, 12 x 16
I really enjoyed this project. The teacher said to start a graphite pencil at the edge and make a long, meandering line with loops and curls until we finally exit the line at another edge of the paper. We were to cross the line several times. Then we did another line, similarly, from another edge. It creates these erratic shapes. We were to use different pen and ink techniques to fill in some of the spaces. I labored for hours and hours on this drawing, and had nearly finished it, with just one section left to go. The teacher said “STOP!” Meaning I was to leave it blank. Ah, yes, I see.
Blue Jay
Blue Jay, watercolor, 12 x 18
Part of the learning here was to “make” black. Some watercolor instructors believe artists should always MAKE their own black by combining colors to create it. You can purchase ready-made black too. I wanted to bring out the blue/green and red, so the black in my painting has tinges of deep red and it rolls a little toward blue green on the right.

aspens in winter
Aspens in Winter, watercolor (in two colors) with rice paper, 14 x 18
For this class we had to buy a sheet of rough rice paper at an art store. We tore long strips of the paper and affixed the strips (in varying widths) onto the watercolor paper with a very thin glue. The rice paper almost melds itself to the watercolor paper, but gives it texture, in places. The assignment was to do this painting (based on a photocopy in black and white) in two colors only. I chose raw sienna and purple. All shades of light to dark had to be created from those two colors.
bridge in the rain
Bridge in the Rain, watercolor, 18 x 14
I loved this painting – the doing of it. It’s a copy of a famous painting (I believe it’s London) done a long time ago. We had only a black and white photocopy, and could do whatever colors we wanted. I usually veer toward warm tones, even though I suspect London in the rain may lean toward cool, cold, blues and grays. I wanted more vibrancy in the painting. It was a very fast painting, done in a matter of a few hours. It’s one of my favorites.
Horses
Horses, watercolor, 12 x 16
I can’t say that I liked doing this painting. I labored over it too long, and should have made the two horses slightly different shades so you could tell their bodies apart. Way too much detail work in this. Sometimes, to learn, we have to do things that we don’t like, so I always chalk it up to learning. Something.
Curling Leaf
Curling Leaf, watercolor, 11 x 17
Leaves are okay. Even those kinds. The purpose was to learn the nuances of greens.
Dancer
Dancer, watercolor, 14 x 20
This too is a copy of a famous painting. Some of the artists of the 1800’s were enchanted with the colors and dress of the Arabs and others from the Middle East. We were to learn how to do fabric and skin tones.
Fall Harvest, pen and ink with watercolor
Fall Harvest, pen, ink & watercolor, 10 x 8
I took a class one semester in design, with pen and ink techniques thrown in. We worked on our own assemblage of  pumpkins and leaves, with particular attention to how to use pen and ink marks to show shading. Then, with watercolor added at the end. I enjoyed this project.
Hillside in Snow, watercolor
Hillside in Snow, watercolor, 14 x 20
Snow was the subject, ice, grays. How to make a flat surface look contoured, how to show shadows in snow. Even though it was likely dark, gray and gloomy, I chose to warm up the sky with some warm colors.
Landscape in Spain
Landscape in Spain, watercolor, 18 x 12
I absolutely loved doing this painting. I wish I could remember who the original artist was, but the teacher had us complete this entire painting in a little more than an hour. I couldn’t believe I could do it, but I did. I am much more attuned to detail, and would likely labor over way too much of it. We were allowed to use our own judgment on the structures and the river too, to suit our purpose.
Old Door
Old Door, watercolor, 12 x 18
I believe this came from a photograph in a travel magazine. I wanted to make the eye travel to the coral color in the courtyard beyond.
Old Lady’s Shoe from 30,000 feet
Old Lady’s Shoe from 30,000 feet, pen and ink, 10 x 8
Whenever we travel, I take along an artist’s notebook. One trip I’d just finished a class in pen and ink drawings, so as I glanced out at the landscape from the jet flying east across the United States, I was struck by the geometric shapes in the farm fields, the kaleidoscope of greens, little streams, cottonwoods (I guess) lining them, rivers, meandering roads. As I drew, I visualized a shoe shape and drew from memory to complete the piece.
Peggy’s Cove, oil on canvas, 12 x 16
Peggy’s Cove, oil on canvas, 12 x 16
I must laugh at myself with this painting above. It was one of my very early paintings, based on a photograph out of a travel magazine. Nearing completion I began a watercolor class and put away my oil paints. I’ve never gone back to this and finished it – about the only thing left to do is tether the row boats to the dock.
Pomegranates, oil on canvas
Pomegranates, oil on canvas, 10 x 14
The pomegranates above is one of my very favorite paintings. I did oil right after I finished my drawing class. An issue of Gourmet magazine arrived, with this picture on the cover. I don’t know the photographer, or I’d give him credit here. This painting hangs in our family room, in a place of honor. I’ve had more than one person offer to buy it.
Woman with Rooster, pencil drawing
Woman with Rooster, pencil drawing
I think my dad’s engineering background gives me an affinity for detailed drawings. My father used to thrive on making drawings on restaurant napkins – everything from how to build a mousetrap, to complicated schizmatics regarding some engineering project he was working on. I really enjoy pencil drawings. This was a project I did in one of my drawing classes, although I chose the subject myself, from a color photograph in a travel magazine.
Shell in shell, watercolor
Shell in Shell, watercolor, 10 x 8
A class project, we were to learn how to make the swirls and whorls in a shell (using a wet in wet technique). From the black and white photocopy we had, many of us students didn’t know this was TWO shells; we thought it was just one, very odd shell. If I’d known that when I started I would have made them slightly different shades so you could determine more easily what you were seeing.
Raven in Snow, watercolor in two colors
Raven in Snow, watercolor in two colors (black and red)
This was a class project also – we were given a black and white photocopy of this raven (or crow?) and we had to watercolor it using just two colors, black and one other color.
Red flowers, watercolor, 8 x 10
Red Flowers, watercolor, 8 x 10
Another class project, we were given a black and white photocopy and could utilize any colors we chose.
The glasses, white charcoal on black paper, 10 x 12
The Glasses, white charcoal on black paper, 10 x 12
In my drawing class we were asked to do a drawing of a face, but in white chalk on black charcoal paper. A friend gave me a magazine ad from some years ago with this woman leaning her head against the neck rest in her convertible.
Red Rocks, watercolor
Red Rocks, watercolor, 16 x 18
This was also a class project – I believe the painting was originally done by some famous artist. The purpose was to learn about painting red rocks. This isn’t one of my favorite paintings; I don’t much like this kind of dry, arid landscape.
Red Leaf, watercolor
Red Leaf, watercolor, 10 x 12
Another class project, we were to learn all about the intracacies of an autumn leaf.