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Have finished reading The Snow Child: A Novel by Eowyn Ivey, an Alaska native. Set in very backwoods Alaska in the 1920s, a middle aged couple arrive to try to realize their dream and to get away from mentally crushing angst about losing their only child in utero. They homestead. He works the land and she takes care of the house and lives in nearly perpetual loneliness and sadness. At times the couple come together in loving accord, but often they do not. One day they build a snow man. Well, a snow girl. The next morning the snow girl is demolished and the mittens and scarf have disappeared. Eventually they spot a small child who darts through the woods (with red mittens and scarf) with her pet fox and barely seems to touch the ground. Is she real? Where does she live? Is she a figment of their imaginations? Anything else I say could ruin the story. It’s a vivid portrayal of the rough homesteading life back then, yet it’s full of love and friendships. And full of the magic of the snow child. A wonderful read by a very gifted author (her first book).

The Barbarian Nurseries: A Novel by Hector Tobar (he’s a writer for the Los Angeles Times). Oh my, what a book. Perhaps more interesting to people who live in the southwest, in those areas that border Mexico where we have a huge influx of illegal immigrants (who want to be called undocumented workers now – they’re that too, but they’re here illegally no matter what you call them). It’s the story of a seemingly wealthy young couple with small children, a high tech husband who isn’t exactly honest with his wife about their money problems, and about the Mexican maid who works for the family. The story is told about all 3 of those people, and oh, what different viewpoints they have. The wife lives in a dream world, isn’t very understanding of any of her hired help. The husband worries and frets about his company’s financial issues, and the maid seethes inside not really wanting to take care of children. They’re all unhappy in some way or another. The wife suddenly pays a company to tear out a very expensive jungle-type back yard and plant a desert-scape that is more suitable to the climate here in Orange County (yes, the books is situated here in OC). She puts it on their joint credit card. The next day the husband takes his staff out to lunch and his credit card is denied. He’s humiliated in front of his employees. He storms home, a huge verbal fight ensues and a physical altercation occurs. The wife takes off with cash and the 6-month old baby, leaving behind her cell phone. The husband storms out and disappears for a few days. The maid is left with no car, no money, and 2 of the 3 children. After 4 days not being able to reach anyone, where every possible thing could go wrong does go wrong, she takes the 2 boys on buses and a train to try to find the grandfather, who lives in downtown L.A. Parts of this book are hilarious funny. Eye-opening. Frustration at all 3 people was the common consensus in our book group. The New York Times wrote: “Tobar . . . vividly and movingly captures the conflict between the immigrant ideal to which America has always aspired and the presiding white culture’s deep ambivalence about the immigrant presence.” ELLE magazine said: [Tobar write about] “race, class, mixed marriage, immigration, servitude, parenting—and raises them up from the fertile narrative soil of Southern California.” The book is a must-read. We all, in our group, thought it was a riveting book.

War Brides by Helen Bryan. I got it as a bargain Kindle book. Liked the idea of the story, but I had difficulty keeping track of the characters. It’s about 5 women from all walks of life who converge in a small country village in England during the middle of WWII. They have numerous trials and tribulations, from relationships to just getting food on the table. The men or boyfriends they’re involved with are also very different, so each person/couple has a different story to tell. There were many, many typo’s and sentence errors in the Kindle version – distracting to be sure. But for a bargain book, I suppose I shouldn’t complain. I felt the editor didn’t do his/her job for this author as the story just didn’t have the cohesiveness I was hoping for. I nearly abandoned the book altogether about half way through, but stuck it out.The author wraps everything up at the end, maybe a bit too neatly, which may not be very realistic.

Trustee from the Toolroom What a book. I was riveted. My friend (and cooking instructor) Tarla Fallgatter recommended this book, and what a treasure it is. I can’t tell you a whole lot about it or I’d be giving away too much of the story. It opens in London, with an ordinary man, with an ordinary wife. He is asked by his sister to help construct a leakproof cement box for her and her husband to take their valuables on an across-the-ocean voyage on a sailboat. They’re planning to move from England to Canada. He does, since he’s a master of constructing small things. Meanwhile, they also ask this childless couple to care for their young daughter for 4 months while they do this traverse-the-ocean thing, and then they’ll have her fly to their new home. Can you guess? They don’t make it, and that’s an integral part of the story too. The husband (and now the new father of his niece) embarks on a journey to – - well, go to the place where the hurricane foundered them. Oh, but there’s so much more to the story. This is written by Nevil Shute (those of you old enough to remember On the Beach, an equally riveting tale from the 1950′s. Shute died in 1960. I highly recommend this book. Try to get it at the library if you can, though there are $10 copies used through the link above, and the Kindle edition is just a bit more. Oh so worth reading!

The Kashmir Shawl: A Novel by Rosie Thomas. (There are lots of other books by the same title, but they’re about shawls, not a novel.) In cleaning out their father’s belongings after his death, Mair comes across an incredibly beautiful shawl with a tiny saved lock of blonde hair. The shawl is exquisite. Her grandparents were poor. She knows there must be more to the story. She’s at odds and ends, and decides to retrace her grandparents’ steps when they were missionaries in India around 1940. Part of the story is told from the viewpoint of the granddaughter (Mair) and part from her grandmother (Nerys). There’s a huge cast of characters, but the story is fascinating, particularly since war was raging in Europe, and this couple was sheltered in many ways by being in India and Srinagar. Not quite a page turner, but it’s very interesting. Worth reading for sure. This is a new book.

One of the best stories I’ve read in a really long time – The Light Between Oceans. It’s a real winner. It brings to the forefront some very touchy issues, about decisions one makes, or that two people make, that can have huge repercussions, not just today, tomorrow, next year or a generation from now. The background story involves a relatively remote island off Australia (this takes place before satellites and the internet or cell phones), and a young man goes to work at the lighthouse on this island. Eventually he marries. A good woman, and she willingly goes to live on this remote island too. She miscarries 2 children. Out on this remote island with no help. Then one day a boat washes ashore and there’s a dead man and a tiny baby, who’s alive. I don’t want to ruin any of it. Just read it!

IN THE POWDER ROOM: Our guest half-bath has a little table with a pile of books that I change every now and then. They’re books that might pique someone’s interest even if for a very short read. The Greatest Stories Never Told; and Sara Midda’s South of France; Forgotten Bookmarks: A Bookseller’s Collection of Odd Things Lost Between the Pages (just the cutest book – with a miscellany of things – letters, grocery lists, notes, reminders, confessions the author discovered hidden inside the books he purchased for his used bookstore); and The Trouble with Poetry (Billy Collins).

Tasting Spoons

My blog's namesake - small engraved sterling silver tea spoons that I use to taste as I'm cooking.

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Prior to about 1999, I’d had no formal training in art. I’d always been interested in art, used to do crafts (like macrame and weaving, all handcrafts). Prior to retiring, I had three big goals for my new life: (1) to write a cookbook to hand down to my children (my blog is the result of that); (2) to learn to paint and draw; and (3) to start an investment club. I’ve realized all those goals, and continue to derive enjoyment from all of them.

First, I took a college-level drawing class (with homework, grades, etc.) for a year. Although it was difficult, I’m glad I did it. Then I began taking classes through my local Senior Center. We have some very good instructors who teach through the local community college (and at our senior centers), and have enjoyed the classes very much (oil, drawing, watercolor). Nearly all of these works below are projects from the classes I’ve taken. Many are not my original art. I painted or drew them, but they’re copies of somebody else’s work. Mostly they were projects assigned by my teachers to help us students improve our skills. To stretch our techniques. To open our horizons. None of my work is for sale – some of it I cannot sell because they’re copies of art by well-known and obscure artists; projects accomplished in class (as noted above) to further our skills. With nearly all the paintings I do not know the original artist, so forgive my lack of proper credit where it is due.

plums in weave 300 compression

Plums in Weave, watercolor, (an original).
This watercolor became the header for my first blog. It’s one of only two pieces of art I have of food. It was a class project – we were asked to bring any watercolors we’d completed but didn’t like. I had no difficulty doing that! The instructor told us to choose two and cut one in strips halfway up, the other into complete strips, then weave the one into the other. I chose two paintings that were similar in color and hue. It’s become a favorite since then. It’s not yet framed, so you can see the shadows of the paper strips.
alaskan sunset
Alaskan Sunset, oil 14 x 18
A class project, I chose a small photo I found in a mail order catalog of an Alaska sunset. They were showcasing clothing to wear in cold climates. The colors are a bit surreal, actually. I don’t think I’ve ever seen a sunset with such lavendery hues, but it made for a pretty painting.
archway
Archway, watercolor, 14 x 18
I think the project was architecture. I chose this from a photo I found in some magazine. The instructor liked it well enough she asked me to do a second one (this one above) with different shadowing in the arch. I’d made the first one too dark.
Brokenwindow
Broken window, watercolor, 12 x 14
A study in brickwork and glass. I believe we were learning how to paint glass. I chose to do several of the windows differently, but I like it anyway!
artistic graffiti
Artistic Graffiti, pen and ink, 12 x 16
I really enjoyed this project. The teacher said to start a graphite pencil at the edge and make a long, meandering line with loops and curls until we finally exit the line at another edge of the paper. We were to cross the line several times. Then we did another line, similarly, from another edge. It creates these erratic shapes. We were to use different pen and ink techniques to fill in some of the spaces. I labored for hours and hours on this drawing, and had nearly finished it, with just one section left to go. The teacher said “STOP!” Meaning I was to leave it blank. Ah, yes, I see.
Blue Jay
Blue Jay, watercolor, 12 x 18
Part of the learning here was to “make” black. Some watercolor instructors believe artists should always MAKE their own black by combining colors to create it. You can purchase ready-made black too. I wanted to bring out the blue/green and red, so the black in my painting has tinges of deep red and it rolls a little toward blue green on the right.

aspens in winter
Aspens in Winter, watercolor (in two colors) with rice paper, 14 x 18
For this class we had to buy a sheet of rough rice paper at an art store. We tore long strips of the paper and affixed the strips (in varying widths) onto the watercolor paper with a very thin glue. The rice paper almost melds itself to the watercolor paper, but gives it texture, in places. The assignment was to do this painting (based on a photocopy in black and white) in two colors only. I chose raw sienna and purple. All shades of light to dark had to be created from those two colors.
bridge in the rain
Bridge in the Rain, watercolor, 18 x 14
I loved this painting – the doing of it. It’s a copy of a famous painting (I believe it’s London) done a long time ago. We had only a black and white photocopy, and could do whatever colors we wanted. I usually veer toward warm tones, even though I suspect London in the rain may lean toward cool, cold, blues and grays. I wanted more vibrancy in the painting. It was a very fast painting, done in a matter of a few hours. It’s one of my favorites.
Horses
Horses, watercolor, 12 x 16
I can’t say that I liked doing this painting. I labored over it too long, and should have made the two horses slightly different shades so you could tell their bodies apart. Way too much detail work in this. Sometimes, to learn, we have to do things that we don’t like, so I always chalk it up to learning. Something.
Curling Leaf
Curling Leaf, watercolor, 11 x 17
Leaves are okay. Even those kinds. The purpose was to learn the nuances of greens.
Dancer
Dancer, watercolor, 14 x 20
This too is a copy of a famous painting. Some of the artists of the 1800′s were enchanted with the colors and dress of the Arabs and others from the Middle East. We were to learn how to do fabric and skin tones.
Fall Harvest, pen and ink with watercolor
Fall Harvest, pen, ink & watercolor, 10 x 8
I took a class one semester in design, with pen and ink techniques thrown in. We worked on our own assemblage of  pumpkins and leaves, with particular attention to how to use pen and ink marks to show shading. Then, with watercolor added at the end. I enjoyed this project.
Hillside in Snow, watercolor
Hillside in Snow, watercolor, 14 x 20
Snow was the subject, ice, grays. How to make a flat surface look contoured, how to show shadows in snow. Even though it was likely dark, gray and gloomy, I chose to warm up the sky with some warm colors.
Landscape in Spain
Landscape in Spain, watercolor, 18 x 12
I absolutely loved doing this painting. I wish I could remember who the original artist was, but the teacher had us complete this entire painting in a little more than an hour. I couldn’t believe I could do it, but I did. I am much more attuned to detail, and would likely labor over way too much of it. We were allowed to use our own judgment on the structures and the river too, to suit our purpose.
Old Door
Old Door, watercolor, 12 x 18
I believe this came from a photograph in a travel magazine. I wanted to make the eye travel to the coral color in the courtyard beyond.
Old Lady’s Shoe from 30,000 feet
Old Lady’s Shoe from 30,000 feet, pen and ink, 10 x 8
Whenever we travel, I take along an artist’s notebook. One trip I’d just finished a class in pen and ink drawings, so as I glanced out at the landscape from the jet flying east across the United States, I was struck by the geometric shapes in the farm fields, the kaleidoscope of greens, little streams, cottonwoods (I guess) lining them, rivers, meandering roads. As I drew, I visualized a shoe shape and drew from memory to complete the piece.
Peggy’s Cove, oil on canvas, 12 x 16
Peggy’s Cove, oil on canvas, 12 x 16
I must laugh at myself with this painting above. It was one of my very early paintings, based on a photograph out of a travel magazine. Nearing completion I began a watercolor class and put away my oil paints. I’ve never gone back to this and finished it - about the only thing left to do is tether the row boats to the dock.
Pomegranates, oil on canvas
Pomegranates, oil on canvas, 10 x 14
The pomegranates above is one of my very favorite paintings. I did oil right after I finished my drawing class. An issue of Gourmet magazine arrived, with this picture on the cover. I don’t know the photographer, or I’d give him credit here. This painting hangs in our family room, in a place of honor. I’ve had more than one person offer to buy it.
Woman with Rooster, pencil drawing
Woman with Rooster, pencil drawing
I think my dad’s engineering background gives me an affinity for detailed drawings. My father used to thrive on making drawings on restaurant napkins – everything from how to build a mousetrap, to complicated schizmatics regarding some engineering project he was working on. I really enjoy pencil drawings. This was a project I did in one of my drawing classes, although I chose the subject myself, from a color photograph in a travel magazine.
Shell in shell, watercolor
Shell in Shell, watercolor, 10 x 8
A class project, we were to learn how to make the swirls and whorls in a shell (using a wet in wet technique). From the black and white photocopy we had, many of us students didn’t know this was TWO shells; we thought it was just one, very odd shell. If I’d known that when I started I would have made them slightly different shades so you could determine more easily what you were seeing.
Raven in Snow, watercolor in two colors
Raven in Snow, watercolor in two colors (black and red)
This was a class project also – we were given a black and white photocopy of this raven (or crow?) and we had to watercolor it using just two colors, black and one other color.
Red flowers, watercolor, 8 x 10
Red Flowers, watercolor, 8 x 10
Another class project, we were given a black and white photocopy and could utilize any colors we chose.
The glasses, white charcoal on black paper, 10 x 12
The Glasses, white charcoal on black paper, 10 x 12
In my drawing class we were asked to do a drawing of a face, but in white chalk on black charcoal paper. A friend gave me a magazine ad from some years ago with this woman leaning her head against the neck rest in her convertible.
Red Rocks, watercolor
Red Rocks, watercolor, 16 x 18
This was also a class project – I believe the painting was originally done by some famous artist. The purpose was to learn about painting red rocks. This isn’t one of my favorite paintings; I don’t much like this kind of dry, arid landscape.
Red Leaf, watercolor
Red Leaf, watercolor, 10 x 12
Another class project, we were to learn all about the intracacies of an autumn leaf.